Formed: London, England, UK
Perhaps it was the dodgy name, but this quartet never made the inroads it had the potential to do so, despite early support slots to The Stranglers (with whom they shared an aggressive vocal approach and an inbuilt antagonism towards the general public) and major label backing. An endorsement from Heather McCartney was not a help!
Or maybe it was a slightly unfocused sound.
On one hand they would whack out speedy Drones-type guitar racket, accentuated by Riff Regan’s bull-in-a-china-shop delivery. On the other they played a kind of Who-influenced rock blather, albeit with Pistols-y punch. All things considered, they were actually better when they took things slowly, as their faster numbers seemed too generic by half. They had a handful of perfectly viable songs on their only album, Animal Games, which should be considered a lost treasure of punk’s golden age. Unfortunately, the band split up simultaneously with its release.
ABOVE: Dutch and French Picture Sleeves
ABOVE: German and dutch Picture Sleeves
The Punk Rock Collection contains all of their recorded works apart from the shortened, censored single version of ‘Summer Of Love’ (“the summer of love was in 1967, ‘68, ‘69, 70/one, two, three, four, five, six, seventy-sevaaaaaaaaaaaaaaaaarrrrrrrggggggggn”. ‘Everyone’s A Winner’ is better here than the slightly neutered album version, while ‘Friday On My Mind’ is a typically camp cover version.
The band reformed circa 2010 for gigs and occasional studios forays.
Vesa Vahtera: "Some say there's CD called Best Of London, but I have never seen it, released in Nederland and Germany 2002". If anyone can confirm this...?
BAND BIO FROM THE LINER NOTES OF THE PUNK ROCK COLLECTION: