BLACK FLAG

Formed: Los Angeles, California, USA, as Panic

Intro / Band Bio Part 1 (1977-1981) / Part 2 (1981-1986) / Part 3 (2012-Present) / Discography / Lineups / Raymond Pettibon

BarsApart from the Dead Kennedys, California’s most internationally famed hardcore band of the early 80s was Black Flag. They may not have been the first to make a hardcore record - that honour goes to Bad Brains or The Middle Class (depending on who you ask) - but they proved integral to the movement, influencing everyone with their ultra-aggressive look, sound and lyrics. Even more than that, their tireless work ethic resulted in a large body of work and a constant touring schedule. They often played places nobody else played, and partially as a result of this scenes arose in their wake. Throughout the band's turbulent career the one constant was Greg Ginn: guitarist, chief songwriter and head of SST, which provided an outlet for many of LA’s most influential punk combos (Descendents, Minutemen, Meat Puppets etc) and throughout the 80s was a watering hole for adventurous punk types looking for genres beyond thrash and hardcore. (That the label's releases after 1985 were usually awful is besides the point.)

Many people have claimed that muscly ice-cream parlour manager Henry Rollins (who joined in 1981) ruined the band, robbing the band of its reckless, speedy, goofy insanity and replacing it with a new lumbering intensity based not on the politically-motivated, nihilistic rage of the earlier incarnation but Rollins' inner turmoil. With the arrival of this hoarse shouter, the band soon began to play much slower and more deliberately, and Ginn's Black Sabbath obsession started getting the better of him. However, the changes were band decisions, and Rollins wasn't even present on their strangest release, The Process Of Weeding Out (the title is a reference to their preferred drug: no speed for these boys, they had a thing for weed).

Part 1 (1977-1981)

They began life as Panic in 1977, changing their name to Black Flag when another Panic came to founding member Greg Ginn's attention. In January 1978 the band - Ginn (guitar), Keith Morris (vocals), Robert Migdol (drums) and Chuck Dukowski (bass) - recorded songs for what was to (eventually) become their Nervous Breakdown EP. Cramming four simple songs into just over five raucous minutes, it was supposed to have been released by Bomp! in 1978 but ended up on SST Records, formed by Ginn for the express purpose of issuing the disc. And that was in July 1979, a monumental 18 months after it was recorded.

NERVOUS BREAKDOWN

I'm about to have a nervous breakdown
My head really hurts
If I don't find a way out of here
I'm gonna go berserk cause
I'm crazy and I'm hurt
Head on my shoulders
It's going... Berserk!

I hear the same old talk talk talk
The same old lines
Don't do me that today
Yeah if you know what's good for you
You'll get out of my way
Cause, I'm crazy and I'm hurt
Head on my shoulders
Going... Berserk!

I won't apologize
For acting outta line
You see the way I am
You leave any time you can cause
I'm crazy and I'm hurt
Head on my shoulders
Going... Berserk!

Crazy! Crazy! Crazy! Crazy!
I don't care what you fuckin' do!
I don't care what you fuckin' say!
I'm so sick of everything
I just want to... Die!

FIX ME

I can't go to work
The boss is a jerk
I ain't got time for this school
The fuckers are fools
I'm going to... explode I've had it!

I lie around with the TV on
I don't do nothin', I just hang around
Waitin' for your call
But I don't know where to fall
I'm going to... explode I've had it!

It's no use
I can't take no more abuse
I'm tired of the fuckin' lines
I'm losing my mind
I'm going to... explode I've had it!

Killin' all your dreams
Really who remembers?
I play guitar for my car
And I won't get very far I'm going to... explode.

Black Flag - Nervous Breakdown - US 7" 1978 (SST - SST 001) A-Side

ABOVE: Mojo 100 Punk Scorchers special, October 2003

They changed singers for both of their subsequent EPs without altering their sound. Indeed, Ginn's dementoid guitar was their sound, and it became progressively more unhinged as he incorporated free jazz and Sabbath-style metal into the mix. This did nothing to diminish the Black Flaggishness of their sound.

Morris left the band in November 1979, by which time the band was becoming increasingly popular. Their profile had been lifted by their headline-grabbing summer appearance at Pollywog Park and guest slots with Dead Kennedys in San Francisco. At the Pollywog they co-hosted a punk/new wave bill after the original headliners - The US Air Force Orchestra, no less - pulled out. As Pollywog Park was in the affluent Mahattan Beach area and the event was designed for the whole family to enjoy, Black Flag's devastating brand of insane punk rock went down really badly with the customers, and entire families hurled food at the band while Morris leered and swore back right at them. His drinking and reluctance to practice daily, however, was causing friction, so he quite. He went on to form Circle Jerks.

Morris was succeeded by a Puerto Rican fan of the band, Ron Reyes, who made his live debut in December, just three weeks after Morris' departure. Reyes quit onstage in May 1980, after growing increasingly frustrated with the group's new fanbase of jocks-turned-punks, but was coaxed back to sing on the brilliant Jealous Again EP (1980), which was issued on 12" only that August, but earned them their first UK pressing. According to Wikipedia: "The 'Jealous Again' EP was released after Reyes had left the band for a final time. He was credited as "Chavo Pederast", nonstandard Spanish for pedophile, after a falling out with the band. Reyes was so angered at this perceived betrayal that he hit Dez Cadena in the head with a brick, and later smashed their touring van's windshield. Reyes had also alerted the Canadian border agents to the band's lack of work permits, which prevented them from playing their final Canadian show of the tour."

JEALOUS AGAIN

You're jealous again
No, she's just a friend
Why can't I do anything without being yelled at?
Always on the phone
Never leave me alone
Why don't you just tell me what you want from me

Said I'll never leave you, no I'll never leave you
It's not the end, no it's not the end

I won't beat you up
But I won't push you around
Because if I do that the cops would grab me for doin' it
I want to go and have some fun
Go where the action is
Who the hell are you to tell me who my friends are
Said I'll never leave you, no I'll never leave you
It's not the end, no it's not the end
Said I'll never leave you, no I'll never leave you
It's not the end, no it's not the end

You're jealous again
You're jealous again
You're jealous again
and again and again and again
and again and again and again

WHITE MINORITY

We're gonna be a white minority
We won't listen to the majority
We're gonna feel inferiority
We're gonna be white minority

White pride - you're an American
I'm gonna hide anywhere I can

Gonna be a white minority
We don't believe there's a possibility
Well you just wait and see
We're gonna be white minority

White pride - you're an American
White pride - anywhere I can?

Gonna be a white minority
There's gonna be large cavity
Within my new territory
We're all gonna die.

Black Flag - Nervous Breakdown - US 7" 1978 (SST - SST 001) A-Side

ABOVE: Black Flag live at the Starwood, 1980. Left to right: Greg, Dez, Robo, Chuck

SIX PACK

$35 and a six pack to my name six pack!
Spent the rest on beer so who's to blame six pack!
They say I'm fucked up all the time six pack!
But I know they're a waste of time six pack!
I know it'll be o.k.
When I get a six pack in me,
that's right

My girlfriend asked me
which one i like better six pack!
I hope the answer don't upset her six pack!
I was born with a bottle in my mouth six pack!
Now I've got six so I'll never run out six pack!
I know it'll be o.k.
When I get a six pack in me,
that's right

$35 and a six pack to my name six pack!
Spent the rest on beer so who's to blame six pack!
They say I'm fucked up all the time six pack!
But I know they're a waste of time six pack!
six pack! six pack! six pack!

LOUIE LOUIE

Louie, Louie!
We gotta go.
I said now Louie, Louie!
We gotta go.
You know the pain, that's in my heart,
it just shows, I'm not very smart.
Who needs love, when you've got a gun?
Who needs love, to have any fun?
I said now Louie, Louie!
We gotta go!
Said, now screwie Louie!
We gotta go.
Louie, Louie!
We gotta go.
I said now Louie, Louie!
We gotta go!

In the short between between the departure of Reyes and the recruitment of Reyes, Black Flag played several shows with guest vocalists, amongst them Keith Morris, Masque proprietor Brendan Mullen, and Joe Nolte of The Last. Dez Cadena took over vocals in August,and stayed for the next two singles - Six Pack and Louie Louie (both 1981) - by which time Ginn's crazy guitar sound had fully evolved. Also by middle of 1981 Black Flag were one of the premier hardcore bands, their relentless touring spawning hardcore scenes in every piddlefuck town or city they played. They had also attracted the attention of the television news networks, who pounced on stories of punk rock violence and held up Black Flag as the most obvious symptom of this crazed new cult. Things had come to a head during the infamous BACE Hall Riot in October 1980, where the cops smashed up the show and left dozens of punks injured, but the band were not phazed and continued to build their fanbase to such an extent that, in June 1981, they were able to fill the 3,500-seater Santa Monica Civic Auditorim (with support from DOA, The Minutemen and Adolescents), and even the 1,200-seater Irving Plaza, with Bad Brains and UXA supporting. At was at this show that Heny Garfield, then singer with Washington punkers SOA, clambered on stage to sing lead vocals on an intense rendition 'Clocked In', knowing that the very next morning he had to go back to work at the ice cream parlour.

Part 2 (1981-1983)

Garfield joined Black Flag in June 1981, with Cadena switching to rhythm guitar, the latter;s vocal chords having taken too much of a battering to much use long term. (Cadena had always wanted to play guitar anyway.) Garfield began his tenure with the band singing only on encores, whilst also acting as a roadie. It wasn't long however, before he aqs the new frontman for the band.

Live

ABOVE: Rollins and Ginn

Henry Rollins, fresh out of Washington's Minor Threat-soundalikes SOA, joined in June 1981, with Cadena switching to guitar. Based on songs written before Rollins had joined, Damaged was released in December 1981, and is now widely acclaimed as one of the greatest punk albums ever. Unfortunately, Ginn had decided to enter into a distribution deal with Unicorn Records, a MCA subsidiary, but MCA refused to distrubute the record. The LP was therefore issued without MCA's massive distrubution network, and the band embarked on a brief and disastrous UK tour, where they played alongside The Exploiited, Chelsea, The Damned and Anti-Nowhere League and went down like lead balloon. To make matteres worse, when they reurned to the US just before Christmas, Robo was deported back hom to Colombia when it was noticed that his visa had expired. The band recruit Emil Johnson in January, and in March they re-recroded the wonderful TV Party as a single, which was released in mid 1982.

RISE ABOVEBlack Flag - Damaged SST/Unicorn LP 1981

Jealous cowards try to control
Rise above, we're gonna rise above
They distort what we say
Rise above, we're gonna rise above
Try and stop what we do
Rise above, we're gonna rise above
When they can't do it themselves
Rise above, we're gonna rise above
We are tired of your abuse
Try to stop us, it's no use

Society's arms of control
Rise above, we're gonna rise above
Think they're smart, can't think for themselves
Rise above, we're gonna rise above
Laugh at us behind our backs
Rise above, we're gonna rise above
I find satisfaction in what they lack
Rise above, we're gonna rise above
We are tired of your abuse
Try to stop us, but it's no use

We are tired of your abuse
Try to stop us, it's no use

We're born with a chance
Rise above, we're gonna rise above
I am gonna have my chance
Rise above, we're gonna rise above
We are born with a chance
Rise above, we're gonna rise above
And I am gonna have my chance
Rise above, we're gonna rise above
We are tired of your abuse
Try to stop us, it's no use

Rise above
Rise above
Rise above
We're gonna rise above
We're gonna rise above
We're gonna rise above

THRISTY AND MISERABLE

Thirsty and miserable
You drop to the floor
You drink 'til you can't even see anymore

Thirsty and miserable, always wanting more
Thirsty and miserable, always wanting more

My brother wants a ride to the liquor store
You pity him for what he wants it for

Thirsty and miserable, always wanting more
Thirsty and miserable, always wanting more

It's 1:30 and we're all getting nervous
The store closes at two
There's not enough to last us

Thirsty and miserable, always wanting more
Thirsty and miserable, always wanting more

T.V. PARTY

T.V. party tonight!
T.V. party tonight!
T.V. party tonight!
T.V. party tonight!Black Flag - TV Party

We're gonna have a T.V. party tonight!
We're gonna have a T.V. party alright!
We've got nothing better to do
Than watch T.V. and have a couple of brews

All our friends are gonna hang out here tonight
We're gonna pass out on the couch alright
We've got nothing better to do
Than watch T.V. and have a couple of brews

Don't talk about anything else
We don't wanna know!
We're dedicated
To our favorite shows!

We sit glued to the T.V. set all night - And every night!
Why go into the outside world at all?
It's such a fright!
We've got nothing better to do
Than watch T.V. and have a couple of brews

T.V. news shows what it's really like out there - It's a scare!
You can go out if you want - We wouldn't dare!
We've got nothing better to do
Than watch T.V. and have a couple of brews

Don't talk about anything else
We don't wanna know!
We're dedicated
To our favorite shows!

I wouldn't be without my T.V. for a day, or even a minute!
Don't even bother to use my brain anymore - There's nothing left in it!
We've got nothing better to do
Than watch T.V. and have a couple of brews

Wait a minute! My T.V. set doesn't work! - It's broken!
What are we gonna do tonight? This isn't fair! We're hurtin'
We've got nothing left to do
With no T.V. and just a couple of brews

What are we gonna talk about?
I don't know!
We're gonna miss our favorite shows!
NO T.V. PARTY TONIGHT!

By the middle of 1982, Emil Johnson had tired of touring and decided to quit, and was very quickly replaced by D.O.A.'s old drummer Chuck Biscuits. This lineup - Rollins, Ginn, Dukowski, Cadena, Biscuits - lasted only a few months and never released any official product, but can be heard on the studio bootleg The Complete 1982 Demos Plus More! In the meantiime, Black Flag had been enjoined from releasing records under their own name, and so two stop-gap collections appeared. The first of these was a superb double-album set Everything Went Black, which featured outtakes from 1978-1981, showcasing the band with all of their first three singers. It was released in a great sleeve featuring a huge pair of garden shears, but did not featuretheband name. It was still however deemed to be in contempt of court, and both Ginn and Dukowski were sentenced to a week in prison. The second comp was The First Four Years contained singles and compilation track, and was actualy issued under the band's name, the Unicorn case having been resolved in the band's favour.

Black Flag in 1983 or 1983

ABOVE The 1982 lineup with (L-R): Chuck Dukowski, Chuck Biscuits, Greg Ginn, Dez Cadena and Henry Rollins.

Black Flag in 1983 or 1983

ABOVE The 1983 lineup with (L-R): Chuck Dukowski, Henry Rollins, Dez Cadena, Greg Ginn and Bill Stevenson.

Black Flag in 1983 or 1983

By Autumn 1983, seismic changes were afoot. Cadena quit, Dukowski was sacked, and Bill Stevenson was firmly entrenched in the drummer's position, what with the Descendents having split up. The gaping hole left by the departure of Cadena's blazing rhythm guitar was partially filled by Ginn, who was churning out increasingly wild metal/jazz/hardcore soloing and Sabbath-esque riffage. Dukowski's heavy, scudding bassage was much missed in the incoming years.

This period of constant change marked the end of phase one of the band's career, if you will, From 1977 to 1983 they were known as a blistering full-on punk act for purists. After this, weirdness ensued.

Danny Sage (Heart Attack): "With Henry it's a whole diffrent band - they started doing Black Sabbath songs done by guys who couldn't play Black Sabbath".

Phase two began with the contentious My War (1984), recorded in 1983 with Ginn on bass under a pseudonym and new drummer Bill Stevenson. It heralded a slew of releases which left a lot of their fans completely bemused. 'My War' was no less crazed than their earlier releases, but side two boasted just three numbers, all of them snail paced and fairly excruciating. Side one however was intense punk-metal with some deranged arrangements, especially on the jazzy 'Swinging Man' and the anthemic title track.

MY WARBlack Flag - My War

My war, you're one of them.
You say that you're my friend,
But you're one of them.

You don't wanna see me live.
You don't want me to give
'Cause you're one of them.

I might not know what a friend is.
All I know is what you're not
'Cause you're one of them,
Them.

Yeah!
You're one of them.
This time, this time.
This lie.
My life, my death.

I have a prediction; it lives in my brain.
It's with me everyday; it drives me insane.
I feel it in my heart, that if I had a gun,
I feel it in my heart, I'd wanna kill some.
I feel it in my heart, the end will come.
Come on.

Tell me that I'm wrong.
Try to sing me your ego song.
You're one of them.

My war!

Black Flag in 1983 or 1983

CAN'T DECIDE

Sun's comin' up and I can't decide
To spill my emotions or keep 'em inside.
Go for a drive, go to the store.
I'm lookin' for somethin' that can't be found there.

I always wear a smile
Because anything but a smile
Would make me have to explain,
And they wouldn't understand anyway.

I conceal my feelings,
So I won't have to explain
What I can't explain anyway.

I can't decide, can't decide, can't decide anything.

Every time I open my mouth,
I always wish I had kept it shut.
I gotta spill my guts, but I don't dare.
I take a look around; I know that no one else cares.

Sun's comin' up, I still can't decide
To spill my emotions or keep 'em inside.
Goin' for a drive, then I'm goin' to the store.
I'm lookin' for somethin', but I still don't know what for.

No, no!
Maybe tomorrow, maybe tomorrow.

THE BARS

There was a girl I knew
She saw the prison inside
She cursed her keeper
And swore she'd get free

Every time I see
I got my hands wrapped around the bars
I want out - right now

She led an angel's life
On angel wings
Jumped out her apartment window
And hit the street below

Every time I see
I got my hands wrapped around the bars
I can't shut off my mind

And now I've waited
My hands are wrapped around the Bars
I'm burning,
My soul is pushed against the Bars

The Bars
The lie, the lie, the lie, the lie
The jail behind my eyes!

My mind hates my body
My body hates my soul
I close my eyes and fight
Inside my own black hole

I've lived my life
I'm doing my time
I realize
Life’s lie

I'm burning
My soul is pushed against the Bars

The Bars
The lie
The lie
The lie
The lie
The lie

The prison
Behind my eyes!

Recruiting a permanent bassist, Kira Roessler, the band embarked on a series of utterly baffling releases, alternating between their progressive punk-metal sound (Slip It In, Loose Nut) and long jazz-punk freakouts and/or spoken word stuff (Family Man, The Process Of Weeding Out, the Minuteflag side project). Throughout this period the group began taking drugs - namely weed and LSD - and everybody's hair (except tomboy Kira's) was getting longer. Their audiences were becoming increasingly alienated by their more experimental approach. Opening gigs with nine-minute instrumentals didn't help, and nor did dropping virtially any song recorded before 1984. And fans blamed Rollins for this, which turned hikm into somethig of a human punchbag, despite his massive frame and bulging muscles.

LOOSE NUT

Loose nut in my head.
Loose nut rattling my skull.
Crying for a human touch,
Or anything that'll reach my soul.

Loose nut in my head.
A bolt of lightening between my legs.
I can't think straight; my mind's a mess.
I only see straight when I'm being led.

Loose nut, I want head.
The loneliness I dread.
Loose nut, you can help.
Be with me so I don't hurt myself.

Loose nut, no bolt fits.
My head is giving me fits.
Loose nut lookin' for diversion,
Just anything that will let me stick it in.

Don't mind my crazy smile,
But gimme the phone so I can dial.
I'll be back in just a little while
As soon as I get some vertical smile.

However, even though the exceptional Loose Nut, released in May 1985, demonstrated that they were top of their game, internal issues were tearing the and apart. Bill Stevenson was released from the band (a mutual decision apparently) because the increasingly paranoid and exacting Ginn felt he couldn't play the band's increasingly sophisticated music to an acceptahle standard. Which is weird, beause his drumming on The Process Of Weeding Out was extraordinarily powerful and supple. Local drummer Anthony Martinez was recuited in May for an upcoming five-month tour, one show of which was recorded and eventually released as Who's Got The 10½? At the end of the tour, relations between Kira and the rest of the band had detiiorated to such an extent that in September Kira found herself yet another former Black Flag musican.

Their last studio LP In My Head had been recorded whiole Stevebson and Kira were stilin the band, although it had begun life as a Greg Ginn solo record. Rollins' vocals were added to the backing tapes and it was released in October 1985 to lukewarm reviews. It boasted their last classic song, the hilarious 'Drinking & Driving', but also their worst production, which was weedy, with Rollins completely buried in the mix.

DRINKING & DRIVING

Drink!
Drink!
Drink!
Drink!
Don't think!
Drink!
Drive!
Kill!

Get drunk a lot and work forty hours a week.
Spend half your time hungover, sick, and weak.

Make sure to tell yourself that this is cool.
And make sure to tell yourself that you have no choice.
And make sure to tell your friends that they drive you to it,
And that you can quit anytime that you want, anytime,
You can quit anytime that you want, you can quit
Anytime, you can quit anytime, anytime!

Party down, party down, drinking 'til you can't even see.
In your car with your buddies, then wrap it around a tree.

Make sure to tell yourself that this is cool.
And make sure to tell yourself that you have no choice.
And make sure to tell your friends that they drive you to it,
And that you can quit anytime that you want, you can quit
Anytime that you want, you can quit anytime
That you want, you can quit, you can quit, you can quit!

Feeling pretty petty, lying cold in a hospital bed.
Busted car, busted head-you had a friend, but now he's dead.

Anytime, anytime, anytime. . .

 

The band petered out in 1986, following an apparently miserable tour with a new rhythm section (C'el and Anthony Martinez) that saw them playing to half-empty halls. As described in Stephen Blush's American hardcore: "By the end of '85 Kira left, too, Like all other Flag alumni, she'd toiled hard for scant reward. A guy named C'el replaced here. With this lineup they did one final our, perhaps the most arduous of their career, but drew less interest - and smaller crowds. They also had a noticably different vibe: you'd always find either Anthony Martinez or C'el, the macho Hispanic dudes, fucking some skank in the back of the van after a show". Bootlegs from this period, however, show they were still a strong live act.

Rollins then embarked on a solo career that saw him turn into a genuine heavy metal muscle monster, while Stevenson re-joined the Descendents and then ALL. Ginn released a handful of awful solo albums: while all feature the trademark Flag guitar sound, the vocals are almost inaudible and most of the time he seems happier mucking about with insubstantial instrumentals than writing songs. Ginn has also played guitar for other SST bands (Gone, Mojack, and Confront James etc).

A posthumous EP, I Can See You crept out in 1989.

Part 3 (2012-Present)

Then, in 2012, there were suddenly two Black Flags. Here is how Wikipedia put it:

On January 25, 2013, it was announced that guitarist Greg Ginn and vocalist Ron Reyes would reform Black Flag, joined by Gregory Moore on drums, and 'Dale Nixon' on bass (Dale Nixon is a pseudonym sometimes used by Ginn, most prominently as the bassist on 'My Wa'r). The band will tour as well as release a new album, their first since 1985's 'In My Head'. In March, it was announced that Screeching Weasel bassist Dave Klein joined the band. On May 2, 2013, the band released a new song entitled "Down in the Dirt" through their website. After releasing two more singles ("The Chase" and "Wallow in Despair"), What The... was released on December 3, and was poorly received by most critics and some fans.

Around the same time, it was announced that the lineup that played at GV 30, Morris, Dukowski, Stevenson and Egerton, would tour performing Black Flag songs, under the name Flag. It was later announced that the lineup would be joined by Dez Cadena.

On August 2, 2013, SST Records and Greg Ginn brought a trademark infringement action in Los Angeles federal court against Morris, Dukowski, Stevenson, Cadena, and Egerton, with regard to their use of the name Black Flag and the Black Flag logo on the 2013 Flag tour. In the same action, SST and Ginn also sued Henry Rollins and Keith Morris to oppose and cancel the trademark applications filed in September 2012 by Rollins and Morris. SST and Ginn alleged that Rollins and Morris lied to the Patent and Trademark Office on their trademark applications regarding claimed use of the Black Flag name and logo by Rollins and Morris on records, t-shirts, and with regard to live performances.

In October 2013, a federal judge denied the motion for a preliminary injunction, brought by Ginn and SST against Morris, Dukowski, Stevenson, Cadena, and Egerton. The court ruled that is was possible that the logo as it had fallen into "generic use," but did not rule specifically that it had done so. The court also ruled that Ginn and SST could not prevent the use of the band name "Flag," as it was likely that fans would know the difference between the two acts, because of widespread publicity.

During a show in November 2013 on Black Flag's Australian tour, pro skater Mike Vallely, who previously sang with the band in 2003, came on stage, took Reyes' microphone, sang the band's last two songs and ousted him from Black Flag. Reyes said he was relieved to be removed from the band citing difficulties working with Ginn . Vallely will be finishing the current tour and replacing Reyes as Black Flag's new, and fifth, vocalist.[original research?]

 

DISCOGRAPHY

Singles / Albums

Black Flag - Nervous Breakdown Black Flag - Jealous Again Black Flag - Six Pack Black Flag - Louie Louie Black Flag - Damaged
Nervous Breakdown
(7", 1979)
Jealous Again
(12", 1980)
Six Pack (7", 1981)
Louie Louie (7", 1981) Damaged (LP, 1981)
Black Flag - TV Party Black Flag - My War Black Flag - Family Man Black Flag - Slip It In Black Flag - Live '84
TV Party (7", 1982)
My War (LP, 1984)
Family Man (LP, 1984) Slip It In (LP, 1984) Live '84 (tape, 1984)
Black Flag - Loose Nut Black Flag - The Process Of Weeding Out Black Flag - In My Head Black Flag - Who's Got The 10 1/2? Black Flag - What The...
Loose Nut (LP,1985) The Process Of Weeding Out
(12", 1985)
In My Head (LP, 1985) Who's Got The 10 1/2? (LP/CD, 1986) What The...
(CD, 2013)

Extraneous Releases

Black Flag - Everything Went Black Black Flag - The First Four Years Black Flag - Keep It In The Family Black Flag - Annihilate This Week Black Flag - Wasted...Again
Everything Went Black (2xLP, 1982) The First Four Years
(LP, 1983)
Keep It In The Family (12", 1984)
Annihilate This Week (12"/CD, 1986) Wasted...Again
(LP/CD, 1987)
Black Flag - I Can See You        
I Can See You
(12"/CDS, 1989)
       

Promos

       
Black Flag - Thirsty And Miserable Black Flag Interview With Frazier Smith OF KLOS Black Flag - Drinking And Driving    
Thirsty And Miserable (7", 1981) Black Flag Interview With Frazier Smith OF KLOS (LP, 1982) Drinking And Driving (12", promo, 1985)    

Bootlegs

Black Flag - No Shirt, No Shoes, No Service! Muskrat Love Black Flag - Annihilation Career In Bootlegging Black Flag - The Unheard 1983 Demos
No Shirt, No Shoes, No Service! (LP, 1985) Muskrat Love
(2xLP, 1989)
Annihilation (CD, 1995) Career In Bootlegging (2x7", split with Black Flag, 1995) The Unheard 1983 Demos (7", 1995)
Black Flag - The Complete 1982 Demos Plus More! Black Flag - Live Pain Black Flag - Live #2 Black Flag - Live #1 Demos Vol. 1 1980
The Complete 1982 Demos Plus More! (LP/CD, 1996) Live Pain (CD, 1996) Live (7", 1997) Live (7", 1997) Demos Vol. 1 1980 (2x7", split with Black Flag, 2001)
Black Flag  - No Deposit No Return Licorice Pizza And More... Black Flag - 1983 Demo's Blck Flag - 1982 Complete Demos Black Flag - Pre-My War Demos 1982
No Deposit No Return (CD, 2002) Licorice Pizza And More... (7", 2003) 1983 Demo's
(LP, 2004)
1982 Complete Demos (LP, 2004) Pre-"My War" Demos 1982 (LP, 2004)
Black Flag - White Minority Black Flag - London 85 Black Flag - Drinking And Driving CD Bootleg Black Flag - Keith Morris Vs Henry Rollins Black Flag - Welcome Home Henry
White Minority: Live At The Starship Club, Milwaukee 7/17/1981
(LP, 2006)
London 85 (LP, 2006) Drinking And Driving (CD, 2007) Keith Morris Vs Henry Rollins
(LP, 2008)
Welcome Home Henry (LP, 2008)
Black Flag - Live Again: Markhalle, Hamburg, Germany 06.12.1984 Black Flag - Starry Night, Portland, OR, August 25 1985      
Live Again: Markhalle, Hamburg, Germany 06.12.1984 (CD) Starry Night, Portland, OR, August 25 1985 (CD)      

Various Artists

Rodney On The Roq US LP 1980 (Posh Boy): No Values

The Decline Of Western Civilization US LP 1980 (Slash): White Minority / Depression / Revenge

Cracks In The Sidewalk US 12" 1981 (New Alliance): Clocked In

Chunks US 12" 1981 (New Alliance): Machine

The Future Looks Bright Ahead US Tape 1981 (Posh Boy): Six Pack / I've Heard It Before / American Waste

Let Them Eat Jellybeans! US LP 1981 (Alternative Tentacles): Police Story

Rodney On The Roq: Volume 2 US LP 1981 (Posh Boy): Rise Above

Underground Hits 1 Germany LP 1982 (Aggressive Rockproduktionen): Nervous Breakdown / Fix Me / I've Had It / Wasted

Where Is J.R. ? Germany Tape 1982 (Schrott): Fix Me / You Bet We Got Something Personal Against You

Oi! Oi! That's Yer Lot! UK LP 1982 (Secret): Revenge

Rat Music For Rat People US LP 1982 (Go!): Scream

Posh Hits Vol. 1 US LP 1983 (Posh Boy): Louie, Louie

Blood On The ROQ UK LP 1983 (Quiet): Rise Above

The Blasting Concept US LP 1983 (SST): Nervous Breakdown / Jealous Again / I've Heard It Before

The Sound Of Hollywood #3 - COPulation US LP 1984 (Mystic): Police Story

Repo Man US LP 1984 (San Andreas): TV Party

Desperate Teenage Lovedolls US LP 1984 (Gasatanka): Life Of Pain

Lovedolls Superstar US LP 1986 (SST): Kickin' & Stickin'

The Blasting Concept Volume II US LP 1986 (SST): I Can See You

The 7 Inch Wonders Of The World US Tape 1986 (SST): Nervous Breakdown / Fix Me / I've Had It / Wasted / Six Pack / I've Heard It Before / American Waste / TV Party / I've Got To Run

Rat Music For Rat People Vol I, II & III US CD 1987 (CD Presents): Scream

Duck And Cover US LP/CD 1990 (SST): Louie Louie

Punk Anderson's Favourites Germany 2xCD 1995 (Starving Missile): Fix Me / You Bet We Got Something Personal Against You / White Minority

No Thanks! The '70s Punk Rebellion US 4xCD 2003 (Rhino): Wasted

Links

THE MIGHTY BLACK FLAG - Brilliantly written and presented fansite with exquisitely detailed discography, unique photos and loads more. Problem: last updated in 2002!

ROCK WHORE'S BLACK FLAG SITE - Plain looking site with lyrics, discography etc.

THE BLACK FLAG PAGE - Good site with discography and shit

 

 

You can add stuff and make comments/corrections by emailing me at:

jane@punkygibbon.co.uk

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